Project+2+Presence+Absence

= Project 2 =

"The task of visualizing loss is tall: how to sufficiently represent a complex absence, in one swift visual move?"
 * Analisa Violich Goodin



=Presence/Absence- The visual vocabulary of negative space=

Casting, like any other art process, has some strong inherent attributes. These attributes inform both how we work within the framework of sculpture and how we think about those sculptures. If there is one thing that the prevalence of these processes has taught us, it is that what is not there is just as important as what is in front of us.

In this project you will be exploring the conceptual ramifications of processes like casting and materials like plaster by constructing works that exploit the dichotomies of presence/absence, positive/negative, and original/copy. You will be exploring both the process of defining a negative space and the possibilities of building positive from negative.

=Part 1:= Bring 10 objects with strong, interesting negative spaces to class. These objects can be simple or complex, personal and important or cheap and disposable. In either case, the objects will have Vaseline and plaster put onto them, so be sure they can stand up tho the process. You will pour plaster into the spaces of the objects, creating small sculptures.

=Part 2:= Create 15 small sculptures by casting in, around or under a series of spaces or sites. Look for situations where your cast reveals hidden attributes, either physical or conceptual, of the original more than the simple process might suggest. Use plaster either loose or thick, depending on your needs. Be sure to not leave any trace of plaster if casting on site!!!!!!

=Project Requirements:= 25 total objects, wide variety of original objects and sites, wide variety of properties of finished sculptures (i.e. texture, size, abstractness, etc.), consistent mix of plaster (not too soft or brittle), and ready to display (each component has embedded wire to hang.)


 * Note**: Be sure to focus your work on interesting forms that bear witness tot he original objects, rather than simple impressions of the original objects in a pile of plaster! You are making sculptures, not fossils!

**Plaster Info:**



























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